Talantbek Chekirov Embrace in Paris painting

Talantbek Chekirov Embrace in Paris paintingTalantbek Chekirov Close Encounter paintingMartin Johnson Heade Rio de Janeiro Bay painting
open for general admission, either automatically by WESCAC or upon executive order. Too soon off the goat-farm to be abashed by nakedness, I crowned myself with a wreath of laurel, took my watch and stick in hand (alone with the two small batteries, which only now I noticed I still clutched), bowed first to the crowd and then to the grappling Gatekeepers in the dust, and followed a guide-rail pressed so hard against my back, I thought I must be sliced like Eblis Eierkopf's hard-boiled eggs. But that foreseam I had started (wrestling with Croaker in George's Gorge) now gave way with a rip from neck to hem, my knit-wool liner with it; the stile jerked on, the thong of my amulet rightwards to the nearest door of the Gatehouse. To show my composure as another pair of Stoker's guards approached, I even took a moment to glance at the sun, now fully risen and already eclipse-bitten at its edge. Then I leaned on my stick and once again demanded, before they could speak: "Take me to the Chancellor